The Rainbow Is Burning: Analysing Public Contemporary Art as Site of the Polish Symbolic Conflict Over LGBT Rights, the Nation and Europe

By Roch Dunin‐Wąsowicz

Volume 16, Issue 1, pages 20-39

Abstract

This paper examines the meanings and the social function of the Rainbow artwork mounted on one of Warsaw’s central squares. It analyses how its public presence became site of the Polish symbolic conflict over LGBT rights, nationhood, and Europe. On the one hand, the Rainbow illuminates existing social cleavages – the way in which Polish national subjectivity is currently reconstructed in relation to undergoing social and civilisational changes after EU accession. On the other hand, the Rainbow not only represents existing differences in society, but itself catalyses polarisation of public attitudes. It does so mainly because of its perceived LGBT symbolism. It is shown that while the symbolic conflict may be intensifying and political fringe polarisation is indeed occurring, popular sentiments are actually liberalising, public visibility of the LGBT minority is historically unparalleled, and a European civilisational aspiration is overwhelmingly embraced in Polish society. This paper shows that though homophobic right‐wing radicalisation does occur, it is mainly a result of political ideology supply, and that overwhelming popular support for the artwork and its ‘gay’ meaning reflects actual social liberalisation and a pluralisation of the public sphere in contemporary Poland.

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