Greek and French: A New Vision of the Catalan National Myth of Origin at the Beginning of the Twentieth Century through Sculpture
By Cristina Rodríguez Samaniego
Volume 14, Issue 1, pages 101-118
Abstract
The principal aim of this article is to present a new vision of the founding myth of a Greek Catalonia, expressed and vindicated at the beginning of the twentieth century during Noucentisme. At that time, the cultural origins of Catalan society were linked to a colonial Greek heritage that was never fully proven. The text analyses this particular idea in a new light, and tries to establish the extent to which this cultural construction came from France and how it influenced Catalan visual arts. Tanagra‐type sculpture acts as the unifying factor in the text.
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